LinkedIn Guide

Module 3 · Chapter 3

Extracting Stories From Your Own Experience

Storytelling That Builds Pipeline

Building a story bank is a one-time exercise you can knock out in 30 to 45 minutes. Structuring a story follows a repeatable framework you can learn. But extraction is an ongoing challenge because it requires you to do something that does not come naturally: see your own experiences from the outside.

Extraction techniques exist to get around this problem.

Self-Interview

The simplest extraction technique is to interview yourself the way a journalist or a content partner would. Sit down with a set of questions, answer them out loud or in writing, and pay attention to the moments where your answers get specific.

Questions That Surface Stories

Generic questions produce generic answers. Here is a set organized by what they are designed to surface:

Decisions and Tradeoffs

  • You raised prices or changed your pricing model in the last year. What made you do it, and which client or conversation was the tipping point?
  • A candidate looked perfect on paper and you still said no. What specifically put you off?
  • You chose to keep a client you probably should have let go. What made you stay, and how long did it take before you regretted it (or did not)?
  • Your team disagreed on a product or strategy decision in the last quarter. What was the split, and how did you break the tie?
  • You turned down funding, a partnership, or an acquisition conversation. What was the offer, and what was the specific reason you walked away?

Friction and Failure

  • A client canceled or threatened to cancel in the last six months. What did they say, and what did you do in the first 24 hours?
  • You shipped something (a feature, a campaign, a hire, a process) that flopped. How long did it take you to admit it was not working, and what did you try before pulling the plug?
  • Your best performer had their worst month. What happened, and how did you handle the conversation?
  • A vendor or partner you trusted dropped the ball on a deliverable that affected your client. What did you do, and what did you change afterward?
  • You lost a deal you were confident you would close. At what point in the process did it fall apart, and what did the prospect say when they told you no?

Opinions and Positions

  • There is a hiring practice that is standard in your industry that you think actively hurts companies. What is it, and what do you do instead?
  • A competitor runs their business in a way that you think damages the market or the buyer. What specifically do they do, and why do you think it is wrong?
  • Your clients consistently come to you believing something about your space that is incorrect. What is the belief, and what do you tell them?
  • There is a piece of advice that keeps circulating on LinkedIn or in your industry's conferences that you think is outdated or wrong. What is it, and what has your experience shown you instead?
  • You have a strong opinion about how to manage a team, close a deal, or build a product that your peers would push back on. What is it, and what happened that made you believe it?

Patterns and Observations

  • Your last five closed deals had something in common that your last five lost deals did not. What was it?
  • A specific type of client consistently churns faster than others. What do they look like, and when in the engagement do the warning signs show up?
  • Something about how your buyers evaluate your product or service has shifted in the last 12 months. What changed, and when did you first notice?
  • New hires on your team keep making the same mistake in their first 60 days. What is the mistake, and what have you tried to prevent it?
  • You have noticed that the deals that close fastest share a specific trait in the sales process. What is it?

How to Use the Self-Interview

Do not try to answer all of these at once. Pick three to five questions per session. Set a timer for 20 minutes. Answer each one either by voice memo or by writing freely without editing.

The key: when you notice yourself getting specific (naming a person, citing a number, describing a scene, recalling exact words someone said), that is the signal that you have hit a story. Mark it. Come back to it.

When you notice yourself staying abstract ("we learned a lot," "it was a tough period," "there were some challenges"), that is the signal that you are still at the surface. Push deeper by asking yourself follow-up questions:

  • What specifically happened?
  • Who was involved?
  • What was said?
  • What were the two or three options on the table?
  • What did you do first, and why?

Conversation Method

Self-interviews work, but they have a ceiling. It is hard to push past your own blind spots when you are the one asking and answering. Conversations with other people break through that ceiling because other people notice things about your experience that you skip over.

Using Existing Conversations

You do not need to schedule special "content extraction" sessions. You are already having conversations every week that contain stories. The habit to build is noticing when a story surfaces and capturing it before it disappears.

  • Client calls: When a client describes a problem in a way you have not heard before, or when you find yourself explaining something with a specific example, write it down immediately after the call. The explanation you gave on the call, in your own words and off the cuff, is often closer to a good post than anything you would write sitting down at a blank screen.
  • Team meetings: When a decision gets debated, when someone raises an objection that changes the direction, when you explain the reasoning behind a strategy to your team, those are stories. The debate itself, the objection, the reasoning: all of it is content.
  • Peer conversations: When you are talking to another founder or executive and you catch yourself saying "here is what happened to us" or "we tried that and here is what we found," you are telling a story. You just told it in a low-stakes, conversational setting, which means it is probably closer to your natural voice than anything you would draft from scratch.
  • Investor or board conversations: When you are explaining your strategy, defending a decision, or presenting results, you are compressing complex thinking into clear narratives. Those narratives are posts.

Expert Tip: After any conversation where a story surfaced, take two minutes to write down the core of it. Just the essentials:

  • What was the topic?
  • What was the specific story or example you used?
  • What was the tension or the point?
  • Any specific details (numbers, names, quotes) you remember?

Two minutes of capture immediately after a conversation saves 30 minutes of trying to reconstruct it a week later.

Digging Deeper When a Story Feels Flat

Sometimes you know you have a story, but when you try to tell it, it comes out flat. The experience was meaningful to you, but the version you are producing reads like a summary rather than something anyone would want to read.

This is almost always a depth problem. The tension and the details are there. You have just not dug deep enough to reach them.

"And Then What Happened?" Technique

Take the flat version of the story and ask yourself "and then what happened?" after every sentence. Keep going until you hit something specific.

Example:

  • "We lost a big client." And then what happened?
  • "We had to figure out how to replace the revenue." What specifically did you do?
  • "I called three prospects we had been nurturing and offered them a shortened onboarding." What happened?
  • "Two said yes within a week." What made them say yes?
  • "I told them we had immediate capacity and could start that Friday instead of the usual two-week lead time."

The fifth answer is more interesting than the first. The specific detail (starting Friday instead of two weeks, having immediate capacity because of the lost client) turns a generic loss story into a specific tactical story about how you turned a setback into a pipeline play. That is a post.

"What Almost Happened?" Technique

For stories where the outcome was positive, the tension can be hard to find because you already know it worked out. The way to surface it: think about what almost happened instead.

  • "We closed a deal with a major account." What almost happened?
  • "They almost went with a competitor who was 40% cheaper."
  • What did you do differently?
  • "I asked for 30 minutes with their head of operations and walked through three specific implementation failures their previous vendor had. I did not pitch our product. I just showed them the cost of getting it wrong."

The "almost" is where the tension lives. The story shifts from "we closed a deal" (boring, no conflict) to "we were about to lose to a cheaper competitor and won because of a specific tactical decision" (interesting, useful, teaches the reader something).

"What Did You Not Know Then?" Technique

For stories from earlier in your career or your company's history, the tension often sits in the gap between what you knew at the time and what you know now.

  • What did you believe at the time that turned out to be wrong?
  • What would you do differently with the information you have now?
  • What was the moment when the gap between your assumption and the reality became clear?

This technique works well for stories about hiring, strategy, pricing, partnerships, and market positioning, because those are areas where founders frequently operate on incomplete information and learn by getting it wrong.

Working With a Content Partner

If you work with a ghostwriter, content strategist, or writing partner, the extraction process changes. Instead of pulling stories out of yourself alone, you have someone whose job it is to ask the right questions and recognize stories in your answers.

How to Make Extraction Calls Productive

The executives who get the strongest content from their partnerships tend to share a few habits:

  • Come with context: You do not need to arrive at a content call knowing what the post should say. You need to arrive knowing what happened that week: a difficult conversation, a decision you are weighing, something a client said that surprised you, an article that made you angry. Your content partner's job is to turn that raw material into a post. Your job is to bring the raw material.
  • Think out loud: The best content often comes from the moments when you are working through an idea in real time, not reciting a polished answer. When your content partner asks "what do you think about X," the useful answer is the messy, uncertain, thinking-through-it-right-now version. The polished version can come later in the editing.
  • Push back when something does not sound like you: If a draft uses language you would never use, framing you disagree with, or a structure that does not match how you think, say so. The more specific you are ("I would never phrase it this way, I would say it more like..."), the faster the content starts matching your voice.
  • Give feedback at the word level: Vague feedback ("I do not love this" or "something feels off") creates revision cycles that waste time. Specific feedback ("this word does not sound like me," "the second paragraph buries the point I care about," "I would hedge this opinion more") produces better drafts and faster.

Building the Habit

Extraction is a recurring habit that gets easier over time. The more you practice noticing stories in your daily work, the less effort it takes to find them.

A sustainable approach for executives:

WhenWhatTime
Throughout the weekCapture story-worthy moments as they happen (voice memo, notes app, Slack message to yourself)2 minutes per capture
End of weekReview captures. Pick 1-2 that have tension and specificity. Add them to your story bank.10-15 minutes
Content call or writing sessionUse the self-interview questions on one story. Or bring raw captures to a content partner and talk through them.20-30 minutes

Over time, the capture habit becomes automatic. You stop needing to schedule brainstorms because you are collecting stories continuously. The weekly review becomes a selection exercise (which of these five captures is worth developing this week?) rather than a generation exercise (what should I write about?).

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